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Frieze Masters: Émigré: Stand E11, Regent's Park, London

Current exhibition
15 - 19 October 2025
  • Overview
  • Works
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Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981
Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981
Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981
Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981
Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981
Open a larger version of the following image in a popup: Frank Auerbach, Six Etchings of Heads, 1980-1981

Frank Auerbach 1931-2024

Six Etchings of Heads, 1980-1981
Etching
15 3/4 x 13 3/8 in (5 7/8 x 5 1/4 in)
40 x 34 cm (15 x 13.5 cm)
Each signed, titled, dated and inscribed A/P, Proof, or H/P aside from the numbered edition of 50
Enquire about this work
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Further images

  • (View a larger image of thumbnail 1 ) Aubrey Williams, Chak Mool, c.1967
  • (View a larger image of thumbnail 2 ) Aubrey Williams, Chak Mool, c.1967
  • (View a larger image of thumbnail 3 ) Aubrey Williams, Chak Mool, c.1967
  • (View a larger image of thumbnail 4 ) Aubrey Williams, Chak Mool, c.1967
  • (View a larger image of thumbnail 5 ) Aubrey Williams, Chak Mool, c.1967
  • (View a larger image of thumbnail 6 ) Aubrey Williams, Chak Mool, c.1967
Six Etchings of Heads was Auerbach's first series of portrait etchings. The sitters are his wife, Julia Auerbach and cousin, Gerda Boehm, and his friends Joe Tilson, R.B. Kitaj, Leon...
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Six Etchings of Heads was Auerbach's first series of portrait etchings. The sitters are his wife, Julia Auerbach and cousin, Gerda Boehm, and his friends Joe Tilson, R.B. Kitaj, Leon Kossoff, Lucian Freud. In each plate Auerbach used a different approach, suggesting, perhaps, the different personalities he was depicting.


Auerbach’s first etching was produced when he visited Joe Tilson in 1980. He completed sketches, drew the image onto the copper plate, then Tilson bit the plate in acid and his son Jake printed it. After preparatory sketches, he drew on the plates using a dart, keeping to the principle of using simple convenient materials.


Collections of Auerbach’s prints and sketches are held in public collections including The National Gallery, London; The Fitzwilliam Museum, Cambridge. Examples of Auerbach’s body of work across several mediums are also held in The Victoria & Albert Museum, London; The National Portrait Gallery, London; The British Museum, London; and the Tate, London; The Metropolitan Museum of Art, New York; The Städel Museum, Frankfurt; Ben Uri Gallery & Museum, London.

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Provenance

Purchased directly from Marlborough Gallery by the current owner

Exhibitions

The Fitzwilliam Museum, Cambridge, Frank Auerbach: Etchings & Drypoints 1954-2006: A 2007 Exhibition, 2007 (another edition)

Literature

Anon, Frank Auerbach: The Complete Etchings, 1954-1990 (London: Marlborough Graphics, 1990).

Craig Hartley, Frank Auerbach: Etchings and Drypoints 1954-2006 (Cambridge: The Fitzwilliam Museum in association with Marlborough Graphics, London, 2007).

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