Willoughby Gerrish Ltd company logo
Willoughby Gerrish Ltd
Skip to main content
  • Menu
  • Artists
  • Exhibitions & Fairs
  • About
  • Contact
Menu

Artworks

Open a larger version of the following image in a popup: Ancient Roman, Foot Fragment, c.2nd century A.D.
Open a larger version of the following image in a popup: Ancient Roman, Foot Fragment, c.2nd century A.D.

Ancient Roman

Foot Fragment, c.2nd century A.D.
Bronze
3 1/8 x 2 3/4 x 5 7/8 in
8 x 7 x 15 cm
Enquire about this work
%3Cdiv%20class%3D%22artist%22%3EAncient%20Roman%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EFoot%20Fragment%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Ec.2nd%20century%20A.D.%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E3%201/8%20x%202%203/4%20x%205%207/8%20in%3Cbr/%3E%0A8%20x%207%20x%2015%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Ancient Roman, Foot Fragment, c.2nd century A.D.
  • (View a larger image of thumbnail 2 ) Ancient Roman, Foot Fragment, c.2nd century A.D.
This finely preserved fragment of a foot, cast in bronze, exemplifies the naturalism and technical sophistication of Roman metalwork. The modelling is anatomically sensitive, with the subtle articulation of the...
Read more

This finely preserved fragment of a foot, cast in bronze, exemplifies the naturalism and technical sophistication of Roman metalwork. The modelling is anatomically sensitive, with the subtle articulation of the toes and the gentle curvature of the arch suggesting that it once formed part of a larger sculptural composition, likely a life-sized or over life-sized figure.


Bronze statuary occupied a central role in Roman visual culture, often employed for portraits of emperors, deities and civic benefactors. While comparatively few complete examples survive—owing largely to the widespread recycling of metal in Late Antiquity—fragments such as the present work offer valuable insight into both artistic practice and the afterlives of ancient objects. The rich green patina, developed over centuries of burial and exposure, attests to the sculpture’s age and lends the surface a tactile, almost painterly quality.


Detached fragments of this kind were frequently the result of deliberate dismantling in antiquity or in later periods, when large-scale bronzes were broken up for reuse. Yet even in isolation, the fragment retains a quiet monumentality. It invites close viewing, encouraging appreciation of the Roman sculptor’s ability to imbue even the most modest anatomical detail with dignity and presence.

Close full details

Provenance

Mintici collection, Belgium, acquired 1970s-1990s
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Privacy Policy
Terms of Use
Manage cookies
Copyright © 2026 Willoughby Gerrish Ltd
Site by Artlogic
Instagram, opens in a new tab.
Join the mailing list

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.