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Open a larger version of the following image in a popup: Henry Moore, Reclining Figures, 1943

Henry Moore 1898-1986

Reclining Figures, 1943
Pencil, charcoal, wax crayons, pen, ink and wash on paper
18 x 25 1/2 in
45.6 x 64.7 cm
Signed and dated Moore 43 and with various inscriptions by the artist
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This drawing is reminiscent of an earlier work on paper entitled Ideas for Sculpture: Reclining Figures (1939), although that sketch is less informed by suggestions of a subterranean setting that...
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This drawing is reminiscent of an earlier work on paper entitled Ideas for Sculpture: Reclining Figures (1939), although that sketch is less informed by suggestions of a subterranean setting that we see here. The figures in this sketch are seemingly encased in their own individual chambers, something which was later reproduced in Reclining Figures: Ideas for Stone Sculpture (1944).


Depictions of underground landscapes were ideas Moore had already begun developing in his career, and which are perhaps most recognisable from his Shelter Drawings Series during his time as an Official War Artist from 1941. This sketch is significant not only because of its subject matter, but because it is an example of Moore’s thought process before his departure from sketching to using clay, plaster and plasticine as his medium for developing ideas and producing maquettes – which are exemplified in the bronzes from the early 1940s onwards.

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Provenance

Private collection, Chicago (acquired before 1950 and thence by descent);
Private collection, USA

Exhibitions

Stanford, Iris & B Gerald Cantor Centre for Visual Arts, Stanford University, on loan, March 2000

Literature

Ann Garrould (ed.), Henry Moore: Complete Drawings, Volume 3, 1940-49 (London: Lund Humphries, 2001);
Impressionist & Modern Art Works on Paper and Day Sale (London: Christies, 2017);
Henry Moore: Influences and Influenced (London: Connaught Brown, 2019)
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